Sorry Seems To Be The Hardest Word (Feat. Elton John) lyrics by Blue
Title : SORRY SEEMS TO BE THE HARDEST WORDArtist : BLUE feat ELTON JOHN
Comp : John/Taupin
Copyright : Warner Chappell Music Ltd
Reference Number : 1797
Tempo = 79
Time Signature = 4/4
Duration = 3' 48"
Sequence finish Bar 74
Key Signature = Gm
Spoken: 'Sorry seems to be the hardest word, uh ha
(na na na na na na na na)
Sung: What I got to do to make you love me
What I got to do to make you care
What do I do when lightning strikes me
And I wake to find that you're not there
What I got to do to make you want me
What I got to do to be heard (ooh)
What do I say when it's all over, babe
Sorry seems to be the hardest word (hardest word)
It's sad, so sad
It's a sad, sad situation (It's a sad, sad situation)
And it's getting more and more obsurd
It's sad, (so sad) so sad
Why can't we talk it over (Why can't we talk it over)
Always seems to me
That sorry seems to be the hardest word
What I do to make you want me
What I got to do to be heard
What do I say when it's all over
Sorry seems to be the hardest word
It's sad, so sad
It's a sad, sad situation
And it's got more and more obsurd
It's sad, (so sad) so sad (aah)
Why can't we talk it over (aah)
Always seems to me
Sorry seems to be the hardest word
(Yeah, yeah)
(na na na na na na)
(sorry)
What do I do to make you love me
What I got to do to be heard (to be heard) mmm
What do I do when lightning strikes me, yeah
What have I got to do
What have I got to do (What have I got to do)
When sorry seems to be the hardest word
SONG STRUCTURE
Note : The terms used to assist the user in defining the structure
of this work are for guidance only and should not be taken as literal.
Seq Bar Numbers
>From To : DESCRIPTION
1 - 2 : Set Up - Control Codes & Program Changes
2 - 4 : 6 Hi Hats for count-in
3 - 12 : Introduction
12 - 20 : Verse 1
20 - 28 : Verse 2
28 - 36 : Chorus 1
36 - 44 : Verse 3
44 - 52 : Chorus 1
52 - 60 : Middle section
60 - 66 : Verse 4 (short)
66 - 74 : Outro
Note : The first bar contains Control Codes to "set up" your tone generator(s).
Note : A 'metronome' count-in is given (sounding as a closed hi-hat)
by the drum track (track 2). This occurs on beats 1, 2, 3 and 4 of bar 2.
TRACK INFORMATION
Number of MIDI CHANNELS used : 16
MIDI VOICE
Channel Type
10 DRUMS
2 BASS
3 PIANO
4 SLOW STRINGS 1
5 SLOW STRINGS 2
6 CELLO STRINGS
7 HARMONICA
13 GRP VOX
14 DUB VOX (overdubs)
15 ELTON VOX
16 BLUE VOX
